I'll be handing this essay out in class today.
In the essay “Deep Play: Notes on the Balinese Cockfight”, Clifford Geertz tries to read Balinese ritual and actions like a text in order to decode the symbols in their society. Leni Reifenstahl, the director of the film “Triumph of the Will”, argued throughout her life that this film was not a Nazi propaganda film, but a documentary. How might a symbolic anthropologist, like Geertz, approach the question of whether this film was a form of Nazi propaganda or a documentary? That is, what do the scenes, colors, and images in the film tell you?
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